CN 11-5366/S     ISSN 1673-1530
“风景园林,不只是一本期刊。”
毕雪婷, 韩锋. 世界自然遗产美学价值的识别与评估概述[J]. 风景园林, 2018, 25(10): 115-119.
引用本文: 毕雪婷, 韩锋. 世界自然遗产美学价值的识别与评估概述[J]. 风景园林, 2018, 25(10): 115-119.
BI Xueting, HAN Feng. Overview of Identification and Evaluation of Aesthetic Values of World Natural Heritage[J]. Landscape Architecture, 2018, 25(10): 115-119.
Citation: BI Xueting, HAN Feng. Overview of Identification and Evaluation of Aesthetic Values of World Natural Heritage[J]. Landscape Architecture, 2018, 25(10): 115-119.

世界自然遗产美学价值的识别与评估概述

Overview of Identification and Evaluation of Aesthetic Values of World Natural Heritage

  • 摘要: 将自然与文化完全对立的现代西方经典范式二元论,使自然遗产美学价值的评估标准(vii)在界定“自然美”方面往往有所局限:仅仅从物的存在而不是从人的审美活动出发来考察“美”。具体通过回顾依据标准(vii)列入《世界遗产名录》的历史案例,分析标准(vii)的两类评估要求(“绝妙的自然现象”与“特殊自然美和美学重要性”)所要识别的“自然美”。由标准(vii)的使用情况可以发现,为区别于自然的科学价值,美学价值必须把“自然美与自然审美”作为一个有机整体进行研究。而通过分析目前广泛使用的风景资源与风景美学评价方法,指出自然遗产美学价值的识别与评估应从现成的物质实体转向生成的关系存在,聚焦于“自然美”产生的社会文化背景,以此实现对自然和文化价值体系的整体关照。

     

    Abstract: The modern western classical paradigm dualism that completely antagonizes nature and culture limits the criterion (vii) for assessing aesthetic values of natural heritage when it comes to define “natural beauty”. It makes us to study the “beauty” only from the existence of things, not from the aesthetic activities of people. By reviewing the historical cases included in the World Heritage List under criterion (vii), the paper analyzes the “natural beauty” to be identified by the two types of evaluation requirements for criterion (vii) (“superlative natural phenomena” and “exceptional natural beauty and aesthetic importance”). From the application of criterion (vii), we can find that to distinguish from the scientific values of nature, the aesthetic values must be studied by taking the “natural beauty” and “natural aesthetics” as an organic whole. By analyzing the widely used methods for assessing landscape resources and aesthetics, it points out that the identification and evaluation of the aesthetic value of natural heritage should shift from the existing subjects to the generated relationships, focus on the social and cultural background of “natural beauty”, so as to realize holistic consideration of the natural and cultural value system.

     

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